SOMETHING ABOUT US
Our Journey in Clay and Life in Swellendam
We are the sum of our experience and all who have preceded us, and our commitment embraces an approach implying that life and work are indivisible
Since , we have been creating pottery together, a journey that eventually brought us to Swellendam in Leaving behind Johannesburgs bustling energy, we sought a tranquil, inspiring place where our pottery could grow, and Swellendam, nestled in the heart of the Western Cape, was exactly what we dreamed of. Here, halfway between Cape Town and the Garden Route, we embraced a life shaped by the mountains, the sea, and a small rurala community.
Our move was more than just a change of scenery—it was an expression of our conviction that life and work are deeply intertwined. This philosophy infuses our pottery, where each piece reflects our connection to the landscape and the peaceful rhythm of rural studio life.
As part of this evolution, our work has developed in both artistry and technique. Transitioning from a gas to an oil-fired kiln in has allowed us to explore new effects, adding subtle depth and nuance to our glazes. Alongside
ABOUT THE ARTIST
An illustrious career with highlights that span decades - the chronology of Esias Bosch's achievements has been documented in various forms and by many authors. On the chronology page you will find a summarized chronology with links to more detailed sections about each era of his work and life. Simply click on the underlined headings within the chronology below to open individual sections for perusal.
His younger daughter, author Andre Eva Bosch, and Johann de Waal, chronicled an acclaimed book about Esias, which spans the years between and and is available to enjoy in its entirety - click here to view it.
To further enhance the collaborative offering of information about the life and work of Esias Bosch, scholarly work is included – click here to read a dissertation of interest.
ARTIST OVERVIEW
South African artist Esias Bosch is often referred to as the doyen of South African creative ceramics. He is described as a master of clay and colour and one of the few master potters in the world.
Esias Bosch was born on July 11, , in the small town of Winburg in the Free State Province of South Africa. His parents wanted th
Art and Nature
We often travel to the Lowveld to visit family and it always reminds me where my love for nature started. Growing up in Nelspruit you can’t help feeling close to the landscape. The trees, granite domes, birds and ‘bush’ are such an integral part of everyday life that they become part of you.
Many artists have moved to this part of the country because of the beauty of the landscape and the inspiration that the closeness to nature brings. This must be part of the reason that Esias Bosch decided to move here in
Esias Bosch
Esias Bosch ( – ) is regarded as one of South Africa’s most distinguished ceramic artists and is both nationally and internationally acclaimed. How fortunate for South Africa that this master potter not only left a legacy of incredible artwork, but also birthed two ceramic studios located a few kilometres from each other in the picturesque hills of White River, Mpumalanga.
Esias and Valerie Bosch had three children named Anton, Ezra and Andree. Andree Bosch is an author currently working on a novel while Anton Bosch and Ezra Bosch are both ceramic artists. Andree co-authored the book Esias Bosch which was printed in and published by Struik
Esias Bosch, South African ceramist () - Centenary Lecture
Terra Cognito - A Celebration of Esias Bosch: South African Ceramist and Artist () Ronnie Watt, PhD () is the centennial anniversary of the birth year of Esias Bosch. It invites renewed recognition of Bosch for his remarkable career and achievements as ceramist and artist but also a review of the inter-play of know-how, influences, ingenuity, creative flair, and personal ethos that materialised in Bosch’s oeuvre. Esias Bosch in his studio at Die Randjie in White River, Mpumalanga Province, South Africa (dated to the period ). (Photographer undocumented. Courtesy of the Esias Bosch Estate.) 1 Bosch is generally acknowledged as the most eminent amongst the pioneer studio potters of South Africa in the twentieth century, that his practise and style inspired the rise of successive generations of potters and that his ceramic works retain a commanding presence in private and public collections. Hence his works have justifiable collectable and investment value. Bosch’s legacy, however, is at risk when his works merely assume the status of precious showcase objects without considering the contexts of their becoming - what the
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