Andrea del Sarto facts for kids
For the poem by Robert Browning, see Andrea del Sarto (poem).
Quick facts for kids Andrea del Sarto | |
|---|---|
Self-portrait | |
| Born | Andrea d'Agnolo di Francesco di Luca ()16 July Florence, Republic of Florence (present-day Italy) |
| Died | before 29 September () (aged 44) Florence, Republic of Florence (present-day Italy) |
| Nationality | Tuscan Italian |
| Known for | Painting |
Notable work | Madonna of the Harpies Nativity of the Virgin |
| Movement | High Renaissance Mannerism |
Andrea del Sarto (US:, UK:, Italian: [anˈdrɛːa del ˈsarto]; 16 July – 29 September ) was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman, and colorist. Although highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries Leonardo da Vinci, Michelangelo, and Raphael.
Early life and training
Andrea del Sarto
| Italian artist of the Florentine school Date of Birth: Country: Italy |
Content:
- Biography of Andrea del Sarto
- Andrea del Sarto died in Florence on January 22,
Biography of Andrea del Sarto
Andrea del Sarto was an Italian artist of the Florentine school. He was born on July 16, , in Florence. Among his early works are five frescoes illustrating the life of St. Philip Benizi in the courtyard of the Santissima Annunziata church in Florence, painted between and These frescoes show a departure from the traditional style of Quattrocento painting, although they do not fully represent Andrea del Sarto's own style, they are still professionally executed.
After four years of work, studying Michelangelo's drawings and possibly Raphael's frescoes in Rome, the artistic capabilities of Andrea del Sarto expanded significantly. In his fresco "The Nativity of the Virgin" (), painted in the same church, a broader interpretation and emotional expressiveness emerged. In , Andrea del Sarto married Lucrezia del Fede and in the same year, he painted his famous "Madonna with the Harpies" (, Florence, Uffizi Gallery). Lucrezia may have served as the model for
Andrea del Sarto: vita e opere del pittore senza errori
Categorie: AB Arte Base
Andrea del Sarto è stato uno dei maggiori pittori del Rinascimento maturo. Le sue opere si trovano quasi tutte a Firenze.
Di Andrea del Sarto (Andrea d&#;Agnolo di Francesco di Luca di Paolo del Migliore Vannucchi; Firenze, - ), Giorgio Vasari disse che era il pittore in grado di realizzare figure “senza errori”: le sue figure erano “di somma perfezione” in quanto principale caratteristica di Andrea del Sarto era la capacità di creare sempre composizioni formalmente ineccepibili, armoniose, ben bilanciate: una pittura classica, che fece scuola (per secoli artisti, anche grandi, hanno copiato le sue opere per imparare a disegnare) e che con i suoi colori luminosi e con i suoi effetti di luce costituì anche una base imprescindibile per i primi pittori manieristi. Andrea del Sarto lavorò quasi sempre a Firenze, si formò nella bottega di Piero di Cosimo (Pietro di Lorenzo; Firenze, circa – ), ma ben prestò passò a studiare i modelli più aggiornati, ovvero quelli di Leonardo da Vinci e di Raffaello Sanzio
Andrea del Sarto
Andrea del Sarto was an Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman and colorist. Though highly regarded during his lifetime as an artist senza errori ("without errors"), his renown was eclipsed after his death by that of his contemporaries, Leonardo da Vinci, Michelangelo and Raphael.
Andrea del Sarto was born Andrea d'Agnolo di Francesco di Luca in Florence on 16 July Since his father, Agnolo, was a tailor (Italian: sarto), he became known as "del Sarto" (meaning "tailor's son"). Since some have attributed the surname Vannucchi with little documentation. By Andrea was apprenticed to a goldsmith, and then to a woodcarver and painter named Gian Barile, with whom he remained until According to his late biographer Vasari, he then apprenticed to Piero di Cosimo, and later with Raffaellino del Garbo (Carli).
Andrea and an older friend Franciabigio decided to open a joint studio at a lodging together in the Piazza del Grano. The first product of their partnership may have been the Baptism of Christ for the F
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