Virelai guillaume de machaut biography

Sujet : musique, chanson ancienne, médiévale, virelai, amour courtois.
Titre : Comment qu’à moy lonteinne
Auteur : Guillaume de Machaut ()
Période : XIVe siècle, Moyen Âge tardif
Album : Mon Chant Vous Envoy ()
Interpréte : Marc MauillonDirection : Pierre Hamon. Label : Eloquentia

Bonjour à tous,

ujourd’hui, nous vous proposons un retour vers le Moyen Âge tardif et le XIVe siècle avec le grand maître de musique Guillaume de Machaut. La pièce est un virelai profane, tout entier dédié à l’amour courtois puisqu’il y est question d’un éloignement qui n’ôte pas pour autant de l’esprit ni du coeur du compositeur sa dame, auquel il dédie ses vers.

Manuscrit Français

On peut retrouver cette pièce musicale notamment dans le Manuscrit ancien référencé MS fr. de la BnF ou Français et ayant pour titre: Guillaume de Machaut, Poésies. C’est un des rares manuscrits du XIVe siècle autour du compositeur médiéval qui n’ait pas été entièrement réalisé dans un atelier parisien, mais vraisemblablement autour de Reims, ville où Machaut a fini ses jours.

Dans l’ouvrage, la chanson Comment q

Guillaume de Machaut
Virelais
Œuvres poétiques de Guillaume de Machaut, folio 1 - Wikimedia Commons
Translated by A. S. Kline © Copyright All Rights Reserved
This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any non-commercial purpose. Conditions and Exceptions apply.
Contents
Introduction
Virelais
1: Ah! Lady, of the brave glance (Hé, Dame de vaillance)
2: Loyalty would have me e’er sustain (Loyauté vueil tous jours maintenir)
3: Ah me! Worthy lady (Ay mi, dame de valour)
4: Sweet pretty lady (Douce dame jolie)
5: However far from me (Comment qu’ay moy lonteinne)
6: If my lady has left me (Se ma dame m’a guerpi)
7: Since my deep sadness she enjoys (Puis que ma dolour agree)
8: For the ill that lastingly (Dou mal qui m’a longuement)
9: Lady, I’d suffer still (Dame, je vueil endurer)
With goodness, with worthiness (De bonté, de valour)
Ah! Noble lady (Hé, Dame de valour)
Lady, to whom (Dame, a qui)
When from seeing my lady (Quant je suis mi au retour)
I love, free of dolour (J’aim sans penser laidure)
If slanderers thus agree (Se mesdisans en acort)
Tis so, such I would wish (C’est forc

Guillaume de Machaut
Guillaume de Machaut (también Machault) (Machault, c. abril de ), fue un clérigo, poeta y compositormedieval francés. Su proyección fue enorme y es históricamente el máximo representante del movimiento conocido como Ars nova, siendo considerado el más célebre compositor del siglo XIV. Contribuyó al desarrollo del motete y de la canción secular. Compuso la Messe de Nostre Dame en cuatro partes, que es la primera misapolifónica conocida escrita por un solo compositor. Su forma de componer, tanto en su producción religiosa como profana, influyó en numerosos compositores posteriores.
Machaut nació alrededor del año y fue educado en algún lugar cercano a Reims. Su apellido parece derivar de la cercana ciudad de Machault, a unos 30 km al este de Reims en la región de Ardennes. Aunque la mayoría de los musicólogos coinciden en que su lugar de nacimiento fue el mismo Reims. Fue secretario de Juan I, conde de Luxemburgo y rey de Bohemia, del año a Además se hizo canónigo durante ese período. A menudo acompañaba al rey Juan en sus varios viajes y expediciones militares alrededor de Europa (incluso a Praga). Fue nombrado canónigo de Verdún en , de Arras en y

Guillaume de Machaut facts for kids
Machaut (right) receiving Nature and three of her children. From an illuminated Parisian manuscript of the s
Guillaume de Machaut also Machau and Machaultc. – April ) was a French composer and poet who was the central figure of the ars nova style in late medieval music. His dominance of the genre is such that modern musicologists use his death to separate the ars nova from the subsequent ars subtilior movement. Regarded as the most significant French composer and poet of the 14th century, he is often seen as the century's leading European composer.
One of the earliest European composers on whom considerable biographical information is available, Machaut has an unprecedented amount of surviving music, in part due to his own involvement in his manuscripts' creation and preservation. Machaut embodies the culmination of the poet-composer tradition stretching back to the traditions of troubadour and trouvère; well into the 15th century his poetry was greatly admired and imitated by other poets, including Geoffrey Chaucer and Eustache Deschamps, the latter of whom was Machaut's student.
Machaut composed in a wide range of style

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