Manfred mohr biography of alberta

Manfred Mohr

Publications


Catherine Millet, Manfred Mohr. Les Lettres Françaises, Paris Sept
Olivier Nateau, Manfred Mohr. Galerie des Arts Nr. 59, Paris Nov
Paul Gauthier , Une nouvelle mise en équation de la spiritualité et de la sensibilité, Manfred Mohr. Les Lettres Françaises, Paris Nov
Wolfgang Sauré , Le system binaire dans la peinture de Manfred Mohr. 4 Soli, Torino, April 6,
Gérald Gassiot-Talabot, Manfred Mohr / Dr. Wolfgang Sauré, Manfred Mohr. From catalog &#;Manfred Mohr: signes géométrique&#;, Galerie Daniel Templon, Paris, France


Jacques Michel, Manfred Mohr: Le médium électronique. Le Monde, Paris, June 2,
Henry Galy-Charles, A L&#;A.R.C. Manfred Mohr, Tisserand, Rustin, Bololini. Les Arts, Paris,
Nicole Lachatre, Une Esthétique Programmée: un homme et un traceur. 01 Informatique, September
De l&#;algorithme à l&#;esthétique: La Dessinatique. 01 Hebdo, May 3,
Dr. Wolfgang Sauré, Triumph eines Pforzheimer Künstlers in Paris. Pforzheimer Zeitung, June 5,
W. S., Mathematische Chiffren zu Grafik programmiert. Pforzheimer Kurier, June 23,
André Berne-Joffroy, Manfred Mohr / Andrés Zucker, Manfred Mohrrom Catalog &#;Manfred Mohr: Computer

Biography

Born 8 June in Pforzheim (Germany)
Paris Studio
Lives and works in New York since

Receives the ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art.
Honored with retrospective show The Algorithm of Manfred Mohr, Now at ZKM - Media Museum, Karlsruhe and was chosen as Featured Artist, in a solo show at ArtBasel/Basel with bitforms gallery.
Development of the program "Artificiata II". Digital-paintings and animations are based on the 11 to 13 dimensional hypercube and its diagonal paths as graphic elements. The animation algorithm contains random variations of speed and suites of stills adding a musical rhythm to this work.
Development of the program "parallelResonance". Digital-paintings and animations are also based on the dimensional hypercube and its diagonal paths as graphic elements. As in all my screen works the images, are changing in a slow and non repetive motion.
Developes the program "klangfarben", which encompasses a body of paintings and animations based on   the dimensional hypercube using its diagonal paths as compositional building blocks.
Receives the digital art award [ddaa], Köln / Bremen
Designs and

Manfred Mohr USA

In my artistic development I did not have the typical constructivist background. I was an action painter and jazz musician. Through a development of consciousness, I detached myself from spontaneous expressions and turned myself to a more constructivist and, a therefore, geometric expression ().

Beyond this, my art developed into an algorithmic art in which inventing rules (algorithms) is the starting point and basis of my research. These "compositional rules" are not necessarily based on already imaginable forms, but on abstract and systematic processes. My rules are parametric rules, which means that at certain points in the process, conditions have to be set for which, in some cases, random choices can be employed.

In my work, similar to a journey, only the starting point and a theoretical destination is known. What happens during the journey is often unexpected and surprising. Even though my work process is rational and systematic, as well as controlled by visual criteria at all times, it is always open to surprises. With such parametric rules, the actual image is created as the result of a process.

Since , in my research, I have been concentrating on f

Visual Alchemist

&#;Art is no longer a means of expressing the world but a means of constructing it.&#; This idea, central to the work of Manfred Mohr, a pioneer in generative art, encapsulates his belief that mathematics and algorithms are not just tools for creation but essential elements of the artistic process itself. Mohr’s artistic journey is one of evolving technology and deep philosophical questions about how we perceive, create, and experience art in a world increasingly dominated by systems and data.

In this article, we will explore the life, work, and legacy of Manfred Mohr, an artist whose generative art fundamentally altered the relationship between aesthetics and computation. We will examine his background in traditional painting, his transition to using computers as a central medium, and how his exploration of higher-dimensional spaces and algorithmic processes positioned him as one of the key figures in digital art. We will also consider his cultural significance and his ongoing influence on contemporary artists and technologists alike.

Manfred Mohr (b. ) is a German-born artist who is widely regarded as a key figure in generative and algorithmic art. Known


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