Sadus – The Shadow Inside
Oh yes! Here&#;s another episode of grandpa&#;s tales! We&#;re going back to the s, darkened as they were by nuclear threat. The year is and Borivoj Krgin (nowadays owner of Blabbermouth) releases the Raging Death compilation containing demos of unsigned bands. At least two of those bands have since changed their names. You now know Xecutioner as Obituary and R.A.V.A.G.E. under the name Atheist. You can read about it in the well-known &#;Choosing Death, The Improbable History of Death Metal & Grindcore&#;. Also present on the compilation album is Sadus. Less interesting for the book, because that band plays a form of biting hyperthrash (not death), but it is this band that now, 36 years later, is releasing its sixth album.
The road to The Shadow Inside has been long and not always easy. A year after Raging Death, Sadus independently releases their debutalbum Illusions. After a record deal with the major Roadrunner Records, the record is re-released. This time (if I&#;m not mistaken, somewhat against the wishes of the band itself) under the name Chemical Exposure. The title was corrected in later editions. The sound is less ea
Former METAL MANIACS Editor KATHERINE LUDWIG Dies After Battle With Non-Hodgkin&#;s Lymphoma
Former Metal Maniacs editor Katherine Ludwig died yesterday (Friday, January 30) a little after p.m. at Cayuga Medical Center in Ithaca, New York. She passed very quickly and peacefully, surrounded by family and friends.
CORROSION OF CONFORMITY's Reed Mullin had this to say about Katherine Ludwig: "I'm not sure folks today know just how instrumental [Katherine] was in introducing and exposing your typical 'metal maniac' of the early '90s to so many badass bands. A lot of which, like C.O.C., had never been given an audience like that before. We had been in fanzines with circulations of maybe a couple hundred, but Metal Maniacs was thousands and thousands! A great advocate for little known underground metal, as well as hardcore/punk bands, she promoted the 'Blind' album to the point where by the end of the year it was on virtually everyone's top ten metal albums of "
He continued: "I can't overstate how important she was to C.O.C.'s success. Without her, 'Blind' wouldn't have sold what it did. And after that, I don't think it's a stretch to say there probably would
Decibel Books is proud to announce the publication of The Scott Burns Sessions: A Life in Death Metal &#; , a massive page oral history of the celebrated Morrisound recording career of iconic extreme metal producer and engineer Scott Burns. Fans can pre-order their copy now with an expected ship date in late October/early November.
Synonymous with the rise of death metal in the late &#;80s and early-to-mid &#;90s, Burns was the man behind the boards for the essential works of Death, Cannibal Corpse, Sepultura, Obituary, Deicide, Napalm Death and Terrorizer, turning their raw, chaotic sounds into something not just listenable but legendary.
The Scott Burns Sessions: A Life in Death Metal &#; looks individually at over extreme metal albums, by nearly 70 bands, that Burns recorded throughout his career. This lavish hardcover by David E. Gehlke—author of Turned Inside Out: The Official Story of Obituary, No Celebration: The Official Story of Paradise Lost and Damn the Machine: The Story of Noise Records—goes deep inside the hallowed halls of Morrisound Recording for exclusive, detailed, in-studio accounts from Burns and the bands that made death metal his
ATHEIST&#;s KELLY SHAEFER Goes Beyond Technical Death Metal In New Band TILL THE DIRT: &#;It&#;s A Totally Different Animal&#;
By David E. Gehlke
ATHEIST frontman Kelly Shaefer was productive during the throes of Covid. Armed with only a guitar, basic home recording software and speakers atop a child's desk, Shaefer burned the midnight oil throughout lockdown and came away with over a dozen new compositions. While ATHIEST is long overdue for its next studio platter (the band's latest, "Jupiter", was released in ),Shaefer quickly realized what he was writing sounded nothing like his main band. The songs were aggressive, brutal, but catchy, even melodic and left enough room for a myriad of vocal ideas, including clean singing, something he hasn't done since his post-ATHEIST band NEUROTICA called it a day in Unsure of what he had, Shaefer tapped into his vast network of musician friends, including famed but long-retired Morrisound Recording producer/engineer Scott Burns, for their opinion. The consensus from Burns and everyone else was nearly unanimous: Shaefer had a late-career project worth pursuing.
Shaefer's new band is TILL THE DIRT, whose
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